![]() ![]() It costs a little more since you need the pricey Metabones adapter to convert MFT to EF, but wow. Plus thanks to the discrete body I could get away with filming David Lynch at his awesome festival in L.A.īut, I find myself turning more often than not to the Sigma 18-35mm and Metabones Speedboster Ultra (0.71) combination. Not to mention an easy camera to handle and outstanding IBIS seals the deal. Relatively organic (after some film conversion), nice color, smooth highlight roll-off, etc. Gear: Panasonic GH5 and Panasonic Lumix 12-35mm I lens. I used one of them, the Panasonic Lumix 12-35mm (mark I) zoom lens to shoot a casual short piece at SFMOMA: Shooting an Event: Festival of Disruption with David Lynch After picking up the GH5 I also purchased a few native MFT lenses. Over the past decade I’ve accumulated a fair amount of EF glass. But for those times where I need to be discrete or to travel light, the GH5 is pretty hard to beat. Granted, I’m still using the (still fab) Canon C100 II for some run-and-gun and short doc work. I’ve been using the GH5 a lot this year to shoot videos for Stark Insider. Since the CPU won’t need to interpret every frame during edits as it would with an inter-based algorithm All-I should help those not only looking for higher quality footage, but also for those concerned about ease of editing and playback performance. The recent 2.0 firmware of course added even more features, including the highly anticipated ability to record 400 Mbps 4K 4:2:2 1-bit ALL-Intra files (hint: you’ll need very fast SD cards and a lot of them too).
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